We love Arnette Eyewear. From the limited edition Public Enemy Collection sunglasses we reviewed, to the slickness of their winter video lookbook, it’s all top notch.
Arnette just released their Spring 2015 Collection. Capturing key modern elements with Arnette’s iconic tone, the Spring 2015 collection launches five new sunglasses encompassing a variety of round and retro shapes, and four new optical frames consisting of bold and edgy designs alongside softer silhouettes.
Key styles for the sunglasses range include the Fire Drill Lite and Tall Boy. The classic Fire Drill frame (pictured above) is scaled down this season for a fresh new look to fit smaller faces. The Fire Drill Lite features a 6-base lens with a nylon frame and is available in six classic colors. For a bolder look, Arnette created the Tall Boy shade which features a distinct 4-base shield lens, a first in the brands history.
The Tall Boy is also a part of the Arnette Creative Exchange System (A.C.E.S.), which includes an extra set of interchangeable arms.
Additional new sun releases include the Boiler, Biscuit, and Uncorked. The Boiler features a classic Arnette wrap frame while the Biscuit showcases edgy hot rod styling and beveled detailing. New to the A.C.E.S. Collection is the Uncorked, offering a clean retro design with a round lens shape. Arnette also presents The Mix Tape collection to the A.C.E.S. series this season, offering interchangeable arms with 80’s inspired graphics that celebrate the sonic vibe of youth culture.
Arnette expands their optical collection with the addition of four key styles: Bitrate, Crossfade, Scale and High Hat. The Bitrate was the brainchild of revolutionary video DJ Mike Relm, featuring a uniquely squared shape, dropped brow and Arnette’s signature D.O.T. temple tips (customized with DOT icons designed by Mike in his signature Black and Red colors) for reducing pressure. Another bold addition featuring round D.O.T. tips is the Crossfade built with a clean acetate frame and thicker stem designed for added style. The Scale and High Hat are softer frames featuring neutral silhouettes and detailing which round out the new RX collection.
Arnette’s new 2015 Spring Sunglass and Optical Collection will be available March 2nd on www.arnette.com and fine eyewear retailers worldwide. MSRP $69.00 – $130.
For more information on Arnette Eyewear visit www.arnette.com
For an unknown reason, NFL history has robbed the Redskins dynasty of the 1980s and early 90s of the recognition it deserves. But the real question is, why?
NFL fans remember the Packers championship teams of the 60s, the Steelers of the 70s, the 49ers of the 80s, the Cowboys of the 90s, and the Patriots of the present day. But no one remembers the Joe Gibbs-led Redskins.
From 1982 to 1991, the Redskins appeared in four Super Bowls and won three of those games, and in each game, they won with a different starting quarterback and a different starting running back.
Not content with one of the most successful coaching careers in NFL history, Gibbs created his Joe Gibbs Racing NASCAR team in 1992. The team has won three Sprint Cup championships since 2000 with stud drivers like Bobby Labonte and Tony Stewart.
At this Sunday’s Daytona 500, the Joe Gibbs Racing Crispy M&M’S #18 car will return to the track after a 10-year absence, piloted by Kyle Busch.
We spoke to Coach Gibbs about flourishing in both sports, the upcoming Daytona 500, his relationship with Jack Kent Cooke, and why he thinks his success with the Redskins has been largely ignored. You can listen to the interview via the audio player or read the full transcript below.
Let’s talk about Crispy M&M’S making their return to the track after a 10-year hiatus, kind of like you making your return to the Skins the second time.
Just about the same; I was 11 years, Crispy’s been out 10 years. We’re excited to have them back. And on Sunday’s Daytona 500, every time that Toyota Camry comes off the corner with Kyle Busch driving it, it’s going to be bright green and it’s gonna represent the return of Crispy. So we’re excited about that and I’m excited to be part of the M&M’S team.
It just occurs to me that the Skins dynasty doesn’t get the props it really deserves. Why do you think that is the case historically?
“Well, I’m glad that you mention that because I feel strongly about that. And I think you’re right. We went to four Super Bowls in 11 years. And we had great players; I think that more of our players should be in the Hall of Fame. You’re right, for some reason that era gets left out. Obviously, the 49ers were in there, the Giants… there were some other real good teams. But I feel just like you, you voiced the opinion, which I agree with. What it takes to be able to get to a Super Bowl, and to do it four times, that says a lot about our ownership, our front office and our players. So, I agree with you and I appreciate you bringing it up.
Well, I’ve thought about this probably more than I should’ve, but it’s almost like the legacy is punished because of your versatility. You’ve got three different quarterbacks that you won a Super Bowl with, three different starting running backs. Defense has a couple of stalwarts, but there’s a lot of personal changes there as you’d expect over an 11-year period. Do you think the success you had with so many personnel changes has been detrimental in hindsight, if that is even a possibility?
Well, you bring up an interesting point. I’ve never looked at it that way. But I think we had a lot of those players that went to two, three, four Super Bowls. And I think that for that period of time, we did have three different quarterbacks. But I think that says a lot about the surrounding players we had with them and those three guys. People always say, “Hey, you won three Super Bowls with three quarterbacks.” What they leave out is three great quarterbacks. You got Theismann, you’ve got Doug, and you’ve got Mark Rypien. I mean, those guys were special; we had special players. But I appreciate you bringing it up this morning, you made me feel good! Okay? Because I think we need more attention on what we were able to accomplish, that team, in that 11-year period.
Here’s the scoop: For Super Bowl weekend, Bud Light took over the beautiful Hotel Palomar in downtown Phoenix, and directly across the street in a previously vacant lot, Bud Light paved over and built the House of Whatever. You’ve seen the commercial, but what was it like?
The highlight of day one was something “off menu” from the Bud Light festivities.
While getting hassled by overly aggressive security guards at the entrance as we attempted to enter the House, a familiar voice chimed in from behind us. “Excuse me, fellas.” We turned around and it was none other than NFL Hall of Famer Warren Sapp. Little did we know, the next 48 hours were essentially the requiem of Sapp’s media career, as he was busted for assaulting two prostitutes at the very same hotel two days later. RIP, Warren.
The first-ever Bud Light House of Whatever got the party started with unique “Up For Whatever” experiences, an unpredictable party and epic concerts. Inside the House, DJs spun from the top of a beached yacht, food trucks lined the interior, and a massive social media tree served as the epicenter of a kinetic forest. Bullz-Eye was on location to partake in whatever.
Here is what it was like when the House was thrown open:
Friday’s activities included:
- An unexpected delivery from Buffalo Bills head coach Rex Ryan, who gave partygoers a pep talk and arrived with plenty of Pizza Hut pizza.
- A variety of spontaneous activities, including Super Fry, where guests could have anything edible deep-fried for them by people dressed as super heroes; Brew U, which offered a ten-minute crash course on beer-making with Bud Light brewmasters; and the ultimate Pac-Man black-light arcade.
- Guests putting on animal masks as part of a party boat-themed concert with epic performances by Kongos and Nicki Minaj.
The best thing about the House of Whatever on night one, besides endless Bud Light, Warren Sapp’s inevitable demise, and meeting Riley from the Bud Light Pac Man Super Bowl commercial, were the bottomless quesadillas.
I literally ate my weight in them over the next two hours, then took a tremendous risk by piling a fish taco on top of it to end my night. Sometimes, you gotta roll the dice.
We spoke to Nelly at Bud Light’s House of Whatever in Phoenix, Arizona about his career, the (endless) rise of Taylor Swift, and how he does his best work on the toilet, while some light jazz played in the background.
Here are a few highlights.
On “Country Grammar” and the line, “Get a room in Trump Tower just to hit for three hours/kick the bitch up put the room ’cause she used the word ‘Ours’”:
“It came from real life. It was cool. But you’re talking about lines that were said in 2002. I was a young, thriving Nelly. Hopefully, when you get in this game, you build your own type of fan base and actually have fans that appreciate what you do and grow with you. It’s funny, because it’s a double-edged sword. You hear so many people say, ‘I wish you would do another album like Country Grammar.’ And I say, ‘You were in school when Country Grammar came out, right. You can’t get that feeling back. The reason Country Grammar meant something to you is because you were in school at that time. It was the buddies that were around you, the moment for you. It was your theme music to what you were going through in that life.’ You can’t make that. You don’t think Michael would love to make another Thriller? You think he wasn’t tryin‘? You can’t, because it was that moment. It was music that was unheard at that time. And you can never get all of those elements back again.”
On making new music:
“I don’t chase [past success]; I just make music. Music is creativity, it’s a career. You up, you down, you up, you down… You can’t have a career without an up and down. Nobody is consistently up. Well, probably Taylor Swift. Taylor Swift is probably the only one I see that is like, ‘Yo, she’s just gonna keep going (up), huh? Just gonna keep fuckin’ goin’.”
On when he’s the most creative:
“Songs pop up at the weirdest moments. You can be in a hotel, sittin’ in a room, being in a club, bein’ on the shitter. That’s my office. I can think, I’ve got the phone on the wall, set the laptop up on the dirty clothes hamper; I feel my freest.”
On what motivates him:
“I don’t do that anymore. When people are like, ‘Yo, what do you want to do?’ It’s not about that no more for me. Succeeding is not what drives you. I think what drives you is knowing where you don’t want to be – I know where I don’t want to be. That’s the motivation to keep going. Because as long as I keep going, I’m not gonna be there. Because to say what I want to do, I’ve accomplished so much and I’m steady going, I just don’t know, I just keep it movin’. But I know one thing that never changes; It’s where you don’t wanna be.”
On what makes Nelly, “Nelly”:
“It was everything. When you get counted out so many times, you look for a sense of, ‘Where am I going to channel and put this energy that I have to succeed?’ Some kids take it and take it the wrong way. Some kids work hard, they study, they go to school, they graduate and become something. Some kids do it through sports. But again, being a product of who you are, it can be a fuel. Sometimes, too much fuel can blow you up. But majority of that time, if you take that fuel and use it right, you can go to the moon.”
“You’re not content. If you’re content, you’ve already started the giving up process. This is a game of creativity, being competitive, it’s a ‘dog eat’ and I love it.”
According to a survey by DentalPlans, bad breath and other oral health issues are among the top three dating “deal breakers.”
Dental dilemmas were superseded only by having an “insanely jealous ex” and “being unemployed” as the top reasons to break off a budding romance. The “Battle of the Sexes” infographic also breaks down where to meet babes, either online or in-person.
The good news is that a great smile can help you connect with your soul mate. Thirty-one percent of those polled, both men and women, said that mouths are the facial feature they notice first. Eyes scored slightly ahead at 34 percent.